When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu to allow a precise gain trim of the input source. You have this item? Do not show this message again. Choose Region By selecting region, the language as well dynqcord the currency of the online shop is changed. Despite a clear reduction in weight, it offers considerable gains in terms of both power amplifier output and features, as well as being more compact than ever before.
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The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range dB.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case: 2 FX are assiged to the two effects devices; 2 AUX can be configured either as monitor or effects sends by means of a switch in the Main section; 2 MON are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Two of the four stereo inputs of each model are additionally equipped with cinch RCA sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB and USB Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips. The band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The display range covers 40 dB; what is shown is the level in dBu at the master outputs.
The Standby switch mutes all channels e. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals e. It is configured by selecting the relevant setting in the menu.
Professional Effects, OLED Display and Processing Menus The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering effects algorithms optimized for live performance, the most important parameters of which are editable.
The program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings.
The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus. Innovative Solution for Protection and Transportation Optionally available for the CMS and is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
Accessories For rack installation of the CMS or table installation of the models and , the mounting kit RMK is available.
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